{"id":65681,"date":"2026-09-16T17:15:39","date_gmt":"2026-09-16T14:15:39","guid":{"rendered":"https:\/\/plmf.ee\/7-08-26-suveooper\/"},"modified":"2026-09-16T17:18:14","modified_gmt":"2026-09-16T14:18:14","slug":"7-08-26-summer-opera","status":"publish","type":"page","link":"https:\/\/plmf.ee\/en\/7-08-26-summer-opera\/","title":{"rendered":"7.08.26 Summer Opera"},"content":{"rendered":"<div class=\"row \"><div class=\"wpv-grid grid-1-1  wpv-first-level first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-bb785e60fd0802bc74b5aad5fff0541e\" ><p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\"><strong>PROGRAMME<\/strong><\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\"><strong>Wolfgang Amadeus Mozart<\/strong> (1756\u20131791)<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">Titus\u2019s aria \u201cAh, se fosse intorno al trono\u201d \/ \u201cAh, if all hearts around the throne were so sincere\u201d \/ \u201cAh, If Every Heart Around the Throne Were So Sincere\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">from the opera \u201cLa clemenza di Tito\u201d \/ \u201cThe Clemency of Titus\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\"><strong>Camille Saint-Sa\u00ebns<\/strong> (1835\u20131921)<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">Dalila\u2019s aria \u201cMon coeur s\u2019ouvre a ta voix\u201d \/ \u201cMy Heart Opens to Your Voice\u201d \/ \u201cMy Heart Opens to Your Voice\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">from the opera \u201cSamson et Dalila\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\"><strong>Richard Wagner<\/strong> (1813\u20131883)<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">&#8211; Elsa\u2019s aria \u201cEinsam in tr\u00fcben Tagen\u201d \/ \u201cAlone in Dark Days\u201d \/ \u201cAlone in Dark Days\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">&#8211; Lohengrin\u2019s aria \u201cIn fernem land\u201d \/ \u201cIn a Distant Land\u201d \/ \u201cIn a Distant Land\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">from the opera \u201cLohengrin\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\"><strong>Giacomo Puccini<\/strong> (1858\u20131924)<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">Suzuki and Butterfly\u2019s Flower Duet \u201cScuoti quella fronda di ciliegio\u201d \/ \u201cShake That Cherry Tree Branch\u201d \/ \u201cShake That Cherry Tree Branch\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">from the opera \u201cMadama Butterfly\u201d \/ \u201cMadame Butterfly\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\"><strong>Georges Bizet<\/strong> (1838\u20131875)<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">&#8211; Seguidilla \u201cPr\u00e8s des remparts de S\u00e9ville\u201d \/ \u201cNear the Walls of Seville\u201d \/ \u201cNear the Walls of Seville\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">&#8211; Mica\u00ebla\u2019s aria \u201cJe dis que rien ne m\u2019\u00e9pouvante\u201d \/ \u201cI Say That Nothing Frightens Me\u201d \/ \u201cI Say That Nothing Frightens Me\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">&#8211; Carmen\u2019s Habanera \u201cL\u2019amour est un oiseau rebelle\u201d \/ \u201cLove Is a Rebellious Bird\u201d \/ \u201cLove Is a Rebellious Bird\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">from the opera \u201cCarmen\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\"><strong>Giacomo Puccini<\/strong><\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">Musetta\u2019s aria \u201cQuando me\u2019n vo\u2019\u201d \/ \u201cWhen I Go Along\u201d \/ \u201cWhen I Go Along\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">from the opera \u201cLa boh\u00e8me\u201d \/ \u201cLa Boh\u00e8me\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\"><strong>Franz Leh\u00e1r<\/strong> (1870\u20131948)<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">&#8211; Octavio\u2019s aria \u201cFreunde, das Leben ist lebenswert\u201d \/ \u201cFriends, Life Is Worth Living\u201d \/ \u201cFriends, Life Is Worth Living\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">from the operetta \u201cGiuditta\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">&#8211; Hanna and Danilo\u2019s duet \u201cLippen schweigen\u201d \/ \u201cLips Are Sealed\u201d \/ \u201cLips Are Sealed\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">from the operetta \u201cDie lustige Witwe\u201d \/ \u201cThe Merry Widow\u201d \/ \u201cThe Merry Widow\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\"><strong>Giuseppe Verdi<\/strong> (1813\u20131901)<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">Drinking Song \u201cLibiamo ne\u2019 lieti calici\u201d \/ \u201cThe Drinking Song\u201d \/ \u201cThe Drinking Song\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: center;\"><span style=\"font-size: 14pt;\">from the opera \u201cLa traviata\u201d \/ \u201cLa Traviata\u201d<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: justify;\"><span style=\"font-size: 14pt;\">KADRI RAALIK graduated from the Georg Ots Tallinn Music School and completed her bachelor\u2019s studies in singing at the Estonian Academy of Music and Theatre. In 2017, she joined the choir of the Estonian National Opera and, since autumn 2024, has been a soloist there. Raalik\u2019s distinctions include second prize and the special prize of Vanemuine Theatre at the Vello J\u00fcrna Vocal Competition (2022). She received the Estonian Theatre Music Award for her portrayal of Musetta in Puccini\u2019s opera \u201cLa Boh\u00e8me\u201d (Vanemuine Theatre) and for her portrayal of Rosalinde in Strauss\u2019s operetta \u201cDie Fledermaus\u201d (2026). In addition to opera repertoire, Kadri Raalik has also performed major works such as Saint-Sa\u00ebns\u2019 Christmas Oratorio and Rossini\u2019s \u201cPetite messe solennelle\u201d.<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: justify;\"><span style=\"font-size: 14pt;\">RAEL RENT began studying classical singing at the Heino Eller Tartu Music School under K. Puis, while simultaneously studying theatre studies and art history at the University of Tartu. She continued her vocal studies at the Royal Conservatoire of Scotland in the class of L. Ormiston and completed her master\u2019s degree cum laude at the David Seligman Opera School of the Royal Welsh College of Music &amp; Drama, where her teachers were C. McGahon and A. Mason. In December 2022, Rent participated in J. DiDonato\u2019s masterclasses at Carnegie Hall in New York. In 2024, she won the Vello J\u00fcrna Opera Singers Competition. Rael Rent has been a member of the opera choir of Vanemuine Theatre since autumn 2025, and has already appeared as a soloist in numerous theatre concerts and productions, including the solo role in the ballet production \u201cPalve. Kummardus P\u00e4rdile\u201d, the role of Mari in K\u00f5lar\u2019s opera \u201cLibahunt\u201d and the role of Flora in Verdi\u2019s opera \u201cLa Traviata\u201d.<\/span><\/p>\n<p class=\"isSelectedEnd\" style=\"text-align: justify;\"><span style=\"font-size: 14pt;\">JUHAN TRALLA graduated from the Estonian Academy of Theatre and Music with a degree in violin. At the same time, he began studying singing at the Estonian Academy of Music and Theatre with M. Palm, continuing his studies from 1998 to 2002 at the University of Music and Performing Arts Vienna (teacher G. Kahry), from 2002 to 2004 at Toma Popescu\u2019s studio in Vienna, and in 2008 at the Carlo Bergonzi Accademia Verdiana in Busseto. In 1997, he won the Tiit Kuusik Singing Competition, and in 2003 he won the Grand Prix at the Sabin Dr\u0103goi International Singing Competition in Timi\u015foara, Romania. In 2007, Tralla became the first Estonian to be selected for the final round of the BBC Cardiff Singer of the World competition in the United Kingdom. He was a soloist at the Vienna Volksoper from 2000 to 2003 and at the German National Theatre in Weimar from 2003 to 2005, worked as a freelance soloist from 2005 to 2009, and was a soloist at the National Theatre Mannheim from 2009 to 2016. Tralla has sung at numerous German theatres, including the city theatres of Aachen, Bielefeld and M\u00fcnster, the Halle Opera, Freiburg Theatre, Saarbr\u00fccken Opera and the Staatstheater am G\u00e4rtnerplatz in Munich, as well as at Novaya Opera in Moscow, La Monnaie in Brussels, the Lucerne Theatre and the Slovak National Opera in Bratislava. He has collaborated with the Estonian National Opera since 1999. Tralla has performed as a chamber singer and as a soloist in vocal-symphonic large-scale works, including Verdi and Mozart\u2019s Requiems, Bach\u2019s Mass in B minor, Haydn\u2019s \u201cThe Creation\u201d and \u201cThe Seasons\u201d, Dvo\u0159\u00e1k\u2019s \u201cStabat Mater\u201d, Tobias\u2019 \u201cJonah\u2019s Mission\u201d, Liszt\u2019s \u201cFaust Symphony\u201d, Puccini\u2019s \u201cMessa di Gloria\u201d, Jan\u00e1\u010dek\u2019s \u201cThe Eternal Gospel\u201d and others. He has collaborated with orchestras from various countries and participated in numerous opera and operetta galas in many countries. Since 2015, Juhan Tralla has been a lecturer in singing at the Estonian Academy of Music and Theatre.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt;\">PIIA PAEMURRU is one of Estonia\u2019s most highly regarded ensemble partners and accompanists for opera singers. She has collaborated with many renowned Estonian and international singers, including V. Noreika, J. Ryh\u00e4nen, M. Voites, M. Palm, P. Lill, A. Saal, R. Soom, P. Volmer, H. Lokuta, A. Mikk, K. V\u00e4hi, O. Kuusik, M. Listra, K. Puis, P. Jonas, D. Savinova, M. Veretenina, A. Pillak, T. Dede, K. J\u00fcrgens, S. Laagus, A. Soode, A. Karp, S. Breede, T. Nugis, R. Raalik, P. Balakin, R. Kull, R. Tamm and others. Her concert career has also brought her on stage with outstanding instrumentalists, including P. Paemurru, M. Tampere-Bezrodny, A. Lend, A. Tammesalu, V. Veldi and others. Paemurru graduated from the Tallinn Conservatory in 1999 with a master\u2019s degree in the piano class of Professor Laine Mets. Since 1986, she has worked as a piano accompanist in the Department of Singing at the Estonian Academy of Music and Theatre. Internationally, Paemurru has participated as an accompanist in numerous masterclasses and auditions at the Bavarian Opera Academy in Germany. She has received special prizes for Best Accompanist at several singing competitions, including the Klaudia Taev International Competition for Young Opera Singers, where she has received the award five times. From 2016 to 2026, she worked as an accompanist at Vanemuine Theatre. Piia Paemurru is a scholarship holder of Music Trust PLMF.<\/span><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>PROGRAMME Wolfgang Amadeus Mozart (1756\u20131791) Titus\u2019s aria \u201cAh, se fosse intorno al trono\u201d \/ \u201cAh, if all hearts around the throne were so sincere\u201d \/ \u201cAh, If Every Heart Around&#8230;<\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-65681","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>7.08.26 Summer Opera - Pille Lill Music Fund<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/plmf.ee\/en\/7-08-26-summer-opera\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"7.08.26 Summer Opera - 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